In Twin Peaks: Fire Walk With Me, Laura Palmer knows she’s about to die. Agent Cooper points out how, while she did not commit suicide, she did consent to and prepare for her murder. In her last days, she warned her best friend, Donna, not to wear her stuff: don’t fetishize me, she was saying, don’t make me into a symbol or a set of aspirations, don’t channel me as a transcendent measure to get free from your boring suburban life; I am a broken person and I am in so much pain. It’s an incredible privilege that the dead girl gets - after an audience is not only used to her as a structuring absence, but they’ve also seen Donna access her sexual awakening by wearing Laura’s sunglasses. Mad Girl’s Love Song is the kind of book Donna would have written about Laura Palmer: endowing talismanic power to incidents and items in lieu of presenting the facts of her life and why she is worth discussion.
I wrote about Mad Girl's Love Song, the 02/13 biography of Sylvia Plath by Andrew Wilson, for HTMLGIANT. This was a joyous exercise: the book was irritating and compelling. Please see the review for vignettes about caviar and diagnoses of borderline personality disorder.